That Drifting Poo Was Far Too Meaningful! These Are the Television Letdowns of the Past Year.

Looking back, we reflect on the television offerings of the past year, a handful of shows emerge not for their excellence, but for their spectacular shortcomings. Ranging from awkward sequels to confusingly poor docuseries, here are the productions that left us scratching our heads or simply reaching for the remote.

The 'Sex and the City' Sequel

How to start with this love/hate spin-off? Plagued with woeful writing, cringe-inducing character development (justice for Miranda!), and a mere 71 seconds of beloved Samantha, the show fought to justify its existence. For a moment, as the final series started, it looked like it had at last found its groove. Then came an episode all about Seema’s natural deodorant. No wonder the showrunner declared this would be the final series. It ended on a low point; the lingering shot of Miranda’s loo flooded with poo was simply too on-the-nose. Yet, viewers undeniably had a hoot dissecting every single “wtf?” episode. And as Carrie – a single woman once more – twirled around her sprawling townhouse to Barry White, who didn’t let out a little sob?

All’s Fair

‘Is Kim Kardashian an actress? Of course she can’t.’

But that was almost the smallest of this show's problems. The subject of a very rare zero star review, it was hard to know where to begin listing the problems. The hilariously leaden dialogue? The tedious veneration of wealth and consumption? The almost deliberate parade of cliches? Performances so bad they felt borderline spiteful? Suffice it to say “each and every one” and never speak of this show again. Except, a new season has been ordered, so we’re likely going to have to.

AKA Charlie Sheen

Given the legal troubles, domestic violence allegations and fatherly shortcomings, it’s reasonable to say Charlie Sheen has been a troubled figure. Not you’d truly have gleaned it from this multi-part documentary which smirked its way at Sheen’s various bouts of reckless excess while failing to tell us anything we weren't already aware of. Rather, it felt as if this volatile personality was being pandered to, so any pity this show might induce should be saved for the people who have had to suffer proximity with this charming but dismissive narcissist.

The Iris Affair

Naturally we knew it was preposterous from the get-go: a thriller about a AI known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We persevered out of pure admiration for its stars … but by the end, it felt like even they had stopped bothering. One barely cared when his character died, and the other ended up hacking Charlie with an axe … in painfully slow-motion. That's what you call admitting defeat.

MobLand

Dodgy figures meeting in deserted boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its gangland drama back.

In truth, that is harsh on the crime shows of the late 90s. Many seem a little dated now, but at least they didn’t suffer the embarrassment of having to indulge unconvincing accents. But there were plenty of other issues. Primarily that it was just really boring; a dispute over narcotics territory between various cockney picaresques which seemed rather simplistic.

With Love, Meghan

Given the extent to which she grinds the gears of the nation’s ostentatiously enraged commentators, it’s almost tempting to admire the Duchess of Sussex’s televised ventures into quaint lifestyle as deliberate statements. But then you watch them and are forced to admit that in this case, they may have a point. It’s like watching a lifestyle magazine animated; a meme for wine o’clock with ideas of grandeur; a procession of snoozing dogs, humming beehives, Hallmark platitudes and pointless crafting “hacks” you’ll forget instantly. All underpinned by immense, mostly unearned wealth. Ugh.

The Beckham Documentary

There are obviously fascinating things to be discussed about both Victoria Beckham and her journey with vocation, self-image, self-acceptance. But for whatever reason, this three-part series opted not to explore them. Rather, the viewing was like consuming a sales brochure. She obviously has every right to resent what she describes as her “stern” image. But sadly, she didn’t do herself any helps with this cagey non-event of a series.

The Game Show

It should have been the next big hit – except even camper, with a famous star playing dead and a well-known personality overseeing her estate. What more could you ask for? As contestants competed, there was plenty of backstabbing and squabbling. But the rules quickly became incomprehensible: it’s still too confusing to explain what precisely was happening. Even more disappointingly, we only saw glimpses of the star via prerecorded videos. The show ended up reeking of a production that was trying way too hard to live up to something far greater than it.

Too Much

How does one follow a show that captured a generation? The expectation was enormous for this starry romcom about Jessica, a hopeful New Yorker who arrives in London with a broken heart. The lead actress took her biggest role by the horns and was joyous to watch, reveling in Austen levels of romantic notions. But it was all very glossy and, paradoxically, was not enough. Plus, the abundance of celebrity friends involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not good enough to be ‘patchy’.

Given the shrewd inclusion of talented younger comics, expectations were high. But sadly, most of it didn’t land. A particular sketch was a single joke milked to a dry pulp but repeated in every episode. One star seemed too willing to slip into a familiar irate mode. The writing room sketches, in contrast, simply inspired the idea that they should probably have stayed in there a while longer.

The Knox Dramatisation

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely showcased the viewpoint of Amanda Knox. So, while there probably is an compelling drama to be made about the tragic 2007 murder, this isn’t it. The material needed to be handled with care. Instead, the series struggled painfully to find the right voice, lurching from oddly breezy, somewhat mannered farce to inevitably, real-life horror. Complex? Arguably. A complete mess? Very much so.

The Maths Genius Thriller

We admire the lead actor … but did we believe him playing the greatest maths genius since, a man so smart he’s on the verge of a breakthrough that could ruin society? No! This international thriller about secret services spying on – and killing off – intellectuals honestly got more absurd by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This hagiography followed the content creator notorious for explicit exploits as she undertook her biggest feat yet. What on earth would possess her? What we craved was way more examination of her actual psyche, plus those of the men in the queue. They could at least have spoken to the now-famous mum who appeared to haul her son away from the queue. What we got was horrific imagery and zero critical analysis of her infamy whatsoever. It's staggering to consider, the filmmaker has a young daughter too.

Joshua Holland
Joshua Holland

A seasoned journalist specializing in British politics and social affairs, with over a decade of experience covering Westminster and regional developments.